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彝族宗教绘画述略
On Yi Religious Paintings
邓应章 Deng Yingzhang
华东师范大学中文系
【摘要】彝族信仰原始宗教毕摩教，毕摩教巫师毕摩在宗教活动和宗教经籍中运用较多的绘画艺术。按其内容可以分为图经、图文混合式经书、经书插图及造型画。毕摩绘画与文字的关系也各有不同，有代替文字、补充文字、装饰文字等不同作用。在少数民族原始宗教中，多有与此类似的宗教绘画，本文在探讨彝族宗教绘画以后，也与其它民族原始宗教图经作了一些比较。
关键词：彝族绘画 毕摩 宗教绘画
Abstract
In their rituals, bimo use many representational art forms,
which can be classified into pictorial texts, texts of mixed writing
and pictures, illustrated texts, and plastic arts. There are several
different kinds relations between Bimo paintings and writing,
such as pictures replacing writing, complementing the writing,
and decorating the writing. There are many primitive religions
of ethnic groups that have religious paintings. The paper discusses
some issues through comparisons
Keywords: Bimo paintings─Bimo─religious paintings
作者简介：
邓章应（1977－），男，汉族，四川开江人，华东师范大学中文系2004级博士生，导师王元鹿教授，专业方向比较文字学。主要研究兴趣侧重于西南少数民族文字及民俗文化。硕士期间师从喻遂生教授学习纳西东巴文，曾发表论文《纳西东巴文线字素初探》、《纳西东巴文新造字参照机制试析》、《水书造字机制探索》、《摩梭达巴文初步研究》等文章，正在或拟进行《中国少数民族早期文字研究》、《摩梭达巴文献与达巴文研究》、《中国各民族文字产生与消亡神话汇编》、《西南原始宗教图经》等课题研究。
About the Author:
Deng Zhangying, born in Kaijiang county of Sichuan province
in 1977. PH. D candidate of East China Normal University. His
adviser is Professor Wang Yuanlu, majoring in Chinese linguistics
& written linguistics.
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